Category Archives: Blog

Breathin’ World Premiere – March 11 and 20 at CAAMFest

I am proud to announce the World Premiere of Breathin’: the Eddy Zheng Story at CAAMFest 2016. We received two very good screening times: Fri, March 11, 6:30pm at the Alamo Drafthouse in SF (capacity 320) and Sat, March 19, 8:10pm at The New Parkway in Oakland (capacity 140). Tickets available NOW on CAAM’s website.


CAAMFest Description: Arrested at 16 and tried as an adult for kidnapping and robbery, Eddy Zheng served over 20 years in state prison. Ben Wang’s BREATHIN’: THE EDDY ZHENG STORY paints an intimate portrait of Eddy — the prisoner, the immigrant, the son, the activist — on his journey to freedom, rehabilitation and redemption. BREATHIN’ moves with a deep, critical love, unafraid in confronting the hard truths of Eddy’s crime, the harsh realities of mass incarceration and the intertwined emotional hardships experienced by all involved. The film finds Eddy at many crossroads — in and out of parole hearings, organizing in the community, othered and at risk of deportation — his resilience and astounding compassion resounding throughout. In chronicling Eddy’s decades-long struggle for freedom, the film interrogates the complexities and hypocrisies of crime and punishment in the United States, raising the greater question: For whom are prisons for? — Andrew Yeung

Co-presented by: Chinese for Affirmative Action & Asian Prisoner Support Committee


Watching a Film

After hundreds of hours in the editing room, I am pleased to announce that we have reached “picture lock” for Breathin’: the Eddy Zheng Story! A major part of this editing phase involved showing the film to people … lots of people. We held focus groups with filmmakers, writers, and editors. We sent out online screeners to colleagues, film programmers, and friends. I showed my wife, sister, brother-in-law, and mother-in-law. Christine Kwon (Producer) and Deann Borshay Liem (Executive Producer) watched many cuts and provided detailed notes. Scott “Chops” Jung (Composer) insisted on watching nearly every new version and continually developed new music cues. And finally, I showed the film to Eddy. 

Despite us following him and working on the project for over four years, he never once requested to view the earlier drafts or hounded us with questions about the film’s creative direction. Along with the Asian Prisoner Support Committee (APSC) and a small group of friends, we screened a near final draft of the film for Eddy in a crowded hotel room during a conference. Eddy laid on the bed and chomped on sunflower seeds throughout the entire screening. When it was over, we held a constructive feedback session with the small audience. I could tell that they really liked the film, but I was still waiting to hear from Eddy. He ate a few more sunflower seeds. Finally, he responded, “It’s kind of hard for me to respond right now. I think I’m still processing it. That’s my life up there.” 

I would probably feel the same way if I was in his shoes—it must be strange to view one’s life on a screen, for others to watch and evaluate and judge. That’s my life up there. And life becomes complicated, story lines get messy, personalities show vulnerabilities. After a brief pause, Eddy chose a few specific scenes to discuss; he was curious about some editing choices. He talked about what impact the film could have, and started getting excited about future screenings, its distribution, and audience engagement. The reality of the film began to sink in for both of us. We continued talking and discussing through the night, and I anticipate reactions will continue to evolve. I am excited about the next phase: screening the film to even more people at the world premiere! I am pleased to announce that Breathin’ will screen in San Francisco and Oakland in March 2016. More details to come!

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Still frame from the “picture lock” cut: Eddy moments after his release, February 27, 2007

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Still frame from “picture lock” cut: Eddy and family playing Mahjong


Editor Ken Schneider and Director/Producer Ben Wang at the PatchWorks Editing Office


Happy Lunar New Year! & Updates


Happy Lunar New Year to all our supporters of Breathin’: the Eddy Zheng Story!

Breathin’ has made many important strides in the editing phase and I thought I would give a brief recap with some of the major updates. Editor Tina Nguyen and I spent much of the summer and fall 2014 editing the previous drafts towards a full-length rough cut. Bringing in another person to help shape the story was a major leap. Tina was able to approach problem areas from a different angle and inject new creativity, which has been great for the film. During this phase, we also gathered feedback from other filmmakers, media programmers, and community members during private screenings and solo viewings (thank you to all who viewed the cuts and provided notes!). After being so deeply engrossed in editing specific scenes and material, it was helpful to receive the candid feedback.

Originally, we planned to finish the film by the end of 2014 with a goal of premiering in early 2015. However, after receiving feedback from key advisors and discussing with our team, I decided to extend the editing phase. We also had an opportunity to work with Editor Ken Schneider, an accomplished Editor and Producer in the bay area. It has been a pleasure working with Ken on taking the film to a higher level and I look forward to continued progress in the coming months. Ken has edited films such as: Regret To Inform (Oscar & Emmy nominee, Peabody and Sundance winner), Bolinao 52 (regional Emmy winner), and In Football We Trust (Sundance 2015).

I am also excited to announce that Scott Jung (a.k.a. CHOPS) has come on board to compose the original score for Breathin’! Scott recently scored music for the documentary 9-Man (which screens at CAAMFest in March, go see it!) and has had his music featured in many television shows and films. Scott is well known for his ground-breaking work as a producer/rapper for the Asian American hip hop group Mountain Brothers and has had an illustrious career as a producer for many hip hop artists. Over the past several months, Scott has worked diligently on drafting music for key scenes based on our rough cut. We Skype regularly to discuss concepts, ideas, and examples that will highlight the emotional character and dramatic arcs of the film. Music will play a crucial piece to Breathin’ and Scott is on track to create a score that enhances Eddy’s story.

I look forward to completing the film in 2015. Thank you to all of you for your support and enthusiasm!


Ben Wang


Breathin’ Updates – June 2014

Hi Everyone!

We have entered an exciting stage of the Breathin’ project and wanted to give you some key updates. Recently, we hired editor Tina Nguyen to join our team and help us work toward building a final cut ready to submit to festivals this fall! Tina says, “It’s great to be joining the team and to help share Eddy’s inspirational story. I’m taking a deep breath as we dive into the editing!”

Tina and I have spent the past two weeks in Los Angeles working intensively on reviewing footage, identifying key story ideas, and a ton of index-card storyboarding. We will spend the next few months developing the story and working towards a fine cut!

Thank you to all of our supporters as we enter this crucial stage of finishing the film! Please stay tuned for more updates this summer.

Here are a few stills from the film to enjoy:

Eddy at Carson section inside San Quentin state prison, 2012
Eddy at Carson section inside San Quentin state prison, 2012


Eddy graduating from college at San Quentin, 2000
Eddy graduating from college at San Quentin, 2000


Eddy speaking at SF Leadership High School, 2011
Eddy speaking at SF Leadership High School, 2011



Ben Wang, Director


Breathin’ Updates December 2013

(Photo taken from The New Parkway work-in-progress screening)

(Photo taken from The New Parkway work-in-progress screening)

Happy holidays to you and your loved ones! We wanted to share a brief update on the progress of Breathin’: the Eddy Zheng Story with all of you. 2013 has been a busy year — we held a work-in-progress screening of the documentary, filmed the birth of Eddy’s first child Abella, and continued to EDIT, EDIT, EDIT.

All the hard work has led to major progress with the film and we now have a 1 hour, 45 minute rough cut. Over the past two years, we’ve made great strides in developing the story and are committed to sharing a side of Eddy’s life that has not yet been told. The visual elements have also developed further, as we’ve tapped into archival news footage and even received original artwork from Hyung-Rae Tarselli, a prisoner who illustrates images of solitary confinement from his cell in SCI Greene prison. In June, we screened a 26-minute work-in-progress draft of the documentary. This free public screening was held at The New Parkway Theater in Oakland to a packed crowd of 145 people, who gave us invaluable feedback and enthusiasm.

We look forward to refining our film into a final cut through 2014. Thank you for supporting this project from the very beginning. The new year promises to be a fruitful one!

Ben Wang, Director
Christine Kwon, Producer


With Lisa’s due date less than two weeks away, I have been “on-call” to film the big day. The plan is to film the first moments after delivery, when Eddy and Lisa hold their new child for the first time. BREATHIN’ is about transformation, so Eddy’s transformation into becoming a father will be an important part of this story.

971737_10151725070769754_1386521235_nAs a filmmaker, how do you prepare for a film shoot like this? Normally, we schedule and plan for a film shoot weeks in advance, with plenty of time to assemble a crew and prep. This time, I will most likely be filming solo. Since I could get the call at any moment, I have been putting together a “Go Bag” in order to take off quickly. So far, I have all my basic camera and audio equipment, battery chargers, phone chargers, water bottle, snacks, and directions to the hospital. Do I feel prepared? NO. In any case, I will be “going with the flow,” as Eddy often says.

Photos from Breathin’ work-in-progress screening

On June 25th, we held a work-in-progress screening of Breathin’: the Eddy Zheng Story at The New Parkway Theater in Oakland. Thank you to everyone who helped us pack the house! It was the first time that we showed this 25-minute work-in-progress to the public (and to Eddy), so it was a very exciting night for all of us. It is always a bit awkward to show something at a relatively early stage–we are still finishing up filming, still editing, still working towards a full rough cut…but we wanted a chance to show our supporters and community the progress that we have made and to get feedback about the direction of the film. As expected, the Q&A discussion at the end was lively and constructive. Now, onward to the full rough cut! Here are a few photos of the night, captured by Director of Photography, R.J. Lozada! A few more photos on our Facebook page, too.

Producer Christine Kwon puts up the sign at the front entrance

The New Parkway Theater in Oakland, CA

Packed house!

Eddy and Lisa anxiously awaiting their first sneak peek of the work-in-progress cut!


Lively Q&A discussion after the screening, with Executive Producer Deann Borshay Liem, Eddy Zheng, and Director Ben Wang

Eddy speaking to the crowd

Ruth Nakashima, Ben’s Grandmother, gives away the prized Tomatoes!




Breathin’ Party – Friday September 14th at 330 Ritch!

Come party with us at 330 Ritch on Friday September 14th and help raise funds for BREATHIN’: THE EDDY ZHENG STORY, the first ever documentary to highlight Eddy Zheng’s 21 years behind bars and the impact of incarceration and deportation on the Asian American community. Currently finishing up principal photography, we have been fortunate to receive a matching grant up to $10,000 from the East Bay Fund for Artists! These funds will enable us to launch post-production this Fall! This includes editing, sound design, music composition and rights, color grading and tape-mastering; as well as festival submission fees and marketing costs.

After serving over 20 years behind bars for a robbery he committed at age 16, Eddy Zheng has dedicated his life to preventing youth violence, and now faces deportation to China. Contrary to notions of a “model minority,” the Asian and Pacific Islander American prison population grew 250% between 1990 and 2000. Providing a complex portrayal of its subject, BREATHIN’: THE EDDY ZHENG STORY will highlight a critical human rights issue facing the U.S. today: the alarming increase of Asian immigrants and refugees being incarcerated and deported.

All ticket sales and donations will be matched 100% by the East Bay Fund for Artists at this event!

Breathin’ Fundraiser Party – Friday September 14th, 9PM – 2AM 

330 Ritch (360 Ritch St., SF)

COME EARLY to see Bandung 55 at 10PM, and stay for DJs King Most and Chickenscratch!


Visit the FB event page:

Film website:

We believe sharing Eddy’s story will help raise awareness about issues of criminalization, restorative justice, and deportation; and we hope you will join us in making this feature length film a reality. You can support this film simply by partying to Bandung 55, featuring KIWI ILLAFONTE, and dancing the night through to some of the Bay’s hottest DJs. Hope to see you out on the dance floor.

Breathin’ dailies: Eddy shares a love story

Director Ben Wang and Producer Christine Kwon on the other side of the stacks of boxes of letters, awards, and other memories from Eddy’s incarceration.

“Words?! Yes, I will leave some behind only if they take as little space as the ashes of that half of my body that will be burnt, and as little time to read as the duration needed to bury the other half.”

Distracted, Jalal Toufic.

One hardly thinks about the paper, the documents, that follow us in our lives: our birth certificate, Social Security card, report cards. Documents that are like breathing, like an involuntary action, essential identifiers to confirm our existence.

Then there’s the material that shapes us, fills out our smiles, shapes the timber in our laughter: love letters that we store in shoeboxes, the old planners with dates circled, scribbled out, the phone number you eventually remember…forget…remember.

It was only in today’s shoot (08/04/2012) with Eddy that I began to revisit my own fascination and connection to documents.

Throughout this production, I’ve been amazed by Eddy’s universe, yet held myself at some distance for the purposes of focusing on facilitating the elements of Eddy’s narrative to the screen. We’ve traveled to the different spaces that Eddy moves about, within, through: offices, small community spaces, parks in springtime afternoons, the streets. My task is to bring dimension and organization to these movements. I weave him in, I cut him out, I make him larger, I pin him against the frame, or push the triangles that he is against the frame of a circle. My mind, my eyes, my hands move the camera to abstract and preserve all at once.

One space that Eddy is woven into, is the home that he shares his family with in Oakland. In an unintentional way, the dimensions of his bedroom mirrors a prison cell, the doors are french doors. A couple feet away, a hallway closet. Within it, are the years and years and years of letters, years and years of court transcripts, probation reports, psychological evaluations held in large boxes that would typically fit home appliances.

Eddy moving more bins of letters.

Eddy stacked the half dozen boxes and bins and we spent four hours sifting though Eddy’s memories. Eddy said that these letters were his lifeline while he was incarcerated. They affirmed his strength, vulnerability, his worth to the world . Traits that prisons are designed to wrench from these men over time, and often succeed with devastating effect. Accumulated years, volumes and volumes of unrequited love, hidden resentment. The stuff that we live with in daily interactions that we post about, that we text about in milliseconds, and forget just as quickly… these are that, but ossified as long as they’re kept away from extreme temperatures, moisture, and light. We only made it through the letters, we never made it to the court transcripts, the stuff that illustrates how Eddy was [mis]handled in a court of law.

Four hours of witnessing Eddy’s neurons firing from these letters only made my neurons fire like crazy, and I found it physically difficult to connect as I became distracted with my own letters that are out there, that have been written. My own strength, vulnerability, love.

Having our producer, Christine Kwon, on location was helpful. Not just because she was available to hold the boom, or take production stills, but also because she is a woman. Eddy is a red-blooded heterosexual male, with an incredibly faithful body, and an equally adept charisma. All to say, Eddy opens up to Ben and myself, but differently with Christine. Eddy throws us a curve at the end of the four hour shoot by sharing just how he was able to win the affections of a young woman who volunteered at the chapel in San Quentin.


Note: The film will NOT be in black-and-white, this was just a choice R.J. made for this clip.

We think and imagine what love and desire could be for a man in prison, but oddly enough it’s similar to all of our experiences in grade school, and even in our adult lives. The way that Eddy emboldens himself as he retells in the video above, is the same bravery you’ve had at some point. Whether in love, or in a profession, or in indignation, there’s a modicum of imagination, creativity in the act of being seen.

It’s basic human nature, the need to be seen, equal to that, of breathin’.

R.J. Lozada, Director of Photography, can be heard often on APEX Express on KPFA. You can view more of his short videos on his Vimeo website, or his other medium of storytelling, photography.


Ten years ago, filmmaker Anne Rogers began a film called DOING LIFE, a documentary that profiled prisoners serving life sentences with a possibility of parole and examining California’s parole system at a time when very few lifers were getting out. She interviewed lifers and their families, filmed parole board hearings, and visited immigration detention jail. One of the lifers that she followed was Eddy Zheng. Unfortunately, DOING LIFE was not finished due to a lack of funding. I was able to contact Anne this year and share with her my current project on Eddy. She very generously offered to share her footage with me; the only issue was that they had been holed up somewhere in a storage shed for years and their whereabouts were uncertain. This past Sunday, I went to the storage shed with her to search for the mini-DV and DVCAM tapes. The shed was packed to the ceiling, but after a few hours of hauling boxes, bikes, sleds, dressers, tables, and chairs out, we found the tapes! The footage is priceless—including Eddy’s college graduation at San Quentin and his parole board hearings—and will add a crucial component to the documentary. After packing the storage shed back up, we had lunch and talked about why we both wanted to make these films—we have both been deeply inspired by lifers who we have met and wanted to provide an alternative story to the dehumanizing messages about prisoners and lifers that are often in the media. Thank you Anne for your generosity and dedication!  – Ben Wang

Finding the tapes!

Eddy at 30 years old